Wednesday, March 26, 2014

2014 Little House

This year the Albuquirky House Tour sponsored by OFFCenter will be held on Saturday, May 3.  For those of you who aren't familiar with OFFCenter, you can read about the center and the house tour at http://offcenterarts.org/  

In connection with the house tour, one of OFFCenter's  main fundraising events -- the Little House Silent Auction -- will be held at the Summer and Dene gallery on Friday evening, May 2.

Here's the description of the Silent Auction from OFFCenter's website:

The Friday night before the Albuquirky House Tour, our "Little Houses" Silent Auction will astound you with the variety of creative approaches over 125 established and emerging artists have taken with the meaning of "home." Artists donating "Little Houses" for past auctions have included Frank McCulloch, Angus MacPherson, Stephanie Lerma, Melody Mock, Maria Moya and more! Come see who will donate a unique, quirky "Little House" this year for you to take home! Will be held at Sumner & Dene Creations in Art during Frank McCulloch’s opening reception for his solo exhibit on First Friday ARTSCrawl. For more info call OFFCenter at (505) 247-1172 or Sumner & Dene at (505) 842-1400.

Each year OFFCenter provides local artists with "blank" little houses made from wood scrap, and each artist decorates/embellishes a house to donate to the fundraising silent auction.  (Artists are not limited to using the blank wood houses and create some amazing and wonderful houses!!)

For the past 5 years or so I have contributed a little house to the silent auction. (My creations from past years can be viewed in my March 27, 2013 blog post.)

This year, my little house started with the idea that I wanted to "side" the house with paper that features old wooden rules.  In my ribbon stash I had some yellow cotton ribbon that looks like the tapes in the metal retractable measuring tapes -- I wanted to use this for the gutters on the house.  And, for a not-so-subtle play on words, I ended up naming this piece "House Rules."

 
 

The attic window is created from tiny little bamboo sticks.

 


I thought maybe I'd roof the house with little wood shingles, but I so loved the button roof on my house from last year, and I have so darn many buttons, I decided to create another button roof.

 


The door on the house is a large rectangular bone link from a bracelet.  The archway above the door  is a broken earring that I found in my junk jewelry stash.

 
 

* * * * *

Three of my co-workers at Papers! also created Little Houses for this year's auction.  I asked each one of them to send me photos of their houses so I could include them in this blog post.
 
First is Madeleine Havas' black and white creation:
 

 
The black paper that Madeleine used to cover her wood form is a handmade paper with embedded strings.  She cut windows into the paper using the lines created by the embedded strings as cutting lines.  Behind the windows she inserted portions of a cotton paper from India that we employees at the store called "Paparazzi Paper" because it had images of faces that could be famous people.  Madeleine said that she wanted the overall impression of the house to be "sinister."
 
Next is Janice Gabel's Little House:
 
 
Janice used one of the smaller forms provided by OffCenter -- the main part of the house is made from a length of a wood 2x2", whereas the two houses above were constructed from 4x4" forms.  Janice is both a calligrapher and member of Albuquerque's book arts group Escribiente, and incorporated both of those talents into her Little House by adding an accordion style book with calligraphy to one side of the house.
 
 
 
Suzanne Marshall made two Little  Houses this year:
 
 
The first house is a collaged  "Skinny House" made on a flat base ( size-wise I would guess this piece is about 8-1/2" x 11").  Definitely a house that could fit into a skinny urban lot! 

 
And Suzanne's second whimsical house was made using another of the small wood 2x2" bases and features a hoe foot and a side 4" fan. 
 

* * * * *

As a postscript to this blog post -- OffCenter just reported that both the House Tour and Little House Auction were huge successes and raised over $11,000 which will go directly toward supporting OffCenter's ongoing community arts programming.
 
 
 
 
 

 




Sunday, December 29, 2013

Mermaid Madness

This tale of mermaid madness begins twelve years ago in 2001.  

I had been living in Florida for two years, caring for my terminally ill father.  When his battle with lung cancer ended and I had taken care of winding down his affairs, I knew that I was too drained to go back to my usual course of work as a paralegal.  I decided that it would be a good time for me to head off to Mexico and hang out there for awhile -- rest up and see if I thought my dream of retiring along the ocean would be realistic.   

At the Mexican Consulate in Orlando, I obtained a manejar de casa document  (translates to "drive the house") which would allow me to take my personal possessions listed within the document into Mexico with me.  As I didn't know how long I would be in Florida, I had driven there from Seattle with my 1968 Volkswagen van filled with only my precious possessions -- music, art supplies, clothes, books -- and those few things that I had brought with me would accompany me to Mexico.  These items needed to be listed on the manejar de casa document so that I would not be hassled at border crossings.  AAA provided me with a TripTik.  I had my 1968 Volkswagen Van gone over with a fine tooth comb by the local Volkswagen mechanic and my Seattle friend Giselle agreed to join me on the adventure of driving from central Florida to Puerto Vallarta -- she would fly to Orlando, I would pick her up there, and our adventure would begin.

Before leaving Florida, one of the things that Giselle and I wanted to do was visit Weeki Wachee Springs. Earlier in the year I had seen an article in Smithsonian Magazine about the small "theme park" which had been in operation since 1947 and featured mermaids performing in natural underwater springs.



Giselle had also seen the Smithsonian article and was up for the kitschy trip -- the park was a short 20 minutes from my Dad's hometown, and we decided that we'd visit Weeki Wachee the day after she flew in -- leaving home early in the morning so that we could wander the park in coolish Florida morning hours.  

I picked up Giselle at the Orlando airport on September 10, and the next morning we sprang out of our beds, had breakfast, hopped in the van, and headed off to Weeki Wachee for our mermaid adventure.  Since we were some of the first to arrive, the park was still relatively quiet.  Upon entering the park, we took each other's pictures posing as Weeki Wachee mermaids:





We saw the underwater mermaid show and the trained animal show with birds and dogs and other animals.   Mid-morning there were still only a few people in the park and I made a a comment, wondering if the funky old park was "dying"  because of so much competition from newer parks like Epcot and the DisneyWorld.  We took the riverboat ride, searching for crocodiles and snapping turtles and other beasts.  Our aged boat stalled, and while it was stalled, someone on the boat made a comment about sabotage.  Giselle and I looked rather blank and one of the boat riders said "Don't you know what happened?"  Still clueless, as we hadn't turned on the radio, TV, or computer while breakfasting (remember, this is pre-Twitter, pre-Facebook, pre-cell phone madness), we had no idea that planes had crashed into the Twin Towers  that morning.   No wonder there were so few people in the park!

Shortly thereafter, it was announced over loudspeakers throughout the park that the park would be closing in a few minutes (as would all major attractions in Florida).  Giselle and I had to miss our final two activities of the day -- a chat with and being photographed with the real live mermaids, but on our way to the parking lot, we ducked into the gift shop where the employees were anxious to close the shop, and  I quickly bought a little softie mermaid who would live on my VW dashboard as our muse and protectress for our long drive through Florida, Louisiana, Texas and Mexico.



So, when folks remember where they were when they first  heard about the Twin Towers, Giselle and I are the only two people in the world whose answers would be that they were on a stalled riverboat in Weeki Wachee Springs.

Our drive from Florida to Puerto Vallarta is filled with many other tales (Mexico/USA border closed, attack of the mosquitoes, the thunderstorm from h___, the broken accelerator cable and the man with the machete, etc.), but this blog tale is about mermaids . . . so . . . back to the subject.

With my Weeki Wachee mermaid still on the dashboard, we were welcomed to Puerto Vallarta's  Malecon by yet another mermaid -- Carlos Espino's 1990 sculpture entitled "Triton and Mermaid."


To make the proverbial long story a little shorter, I lived in Puerto Vallarta for several years as a working artist and was represented by two galleries.  I lived in several different apartments (yet another series of tales) and my Weeki Wachee mermaid moved from my dashboard to my bathroom and she lived amongst shells I collected on the beach and other pieces of Mexican mermaid folk art I started accumulating.  Here are a few:

This is a hand-painted half gourd with ceramic mermaid tail added as a headdress.

Ceramic Neptuno with mermaid body.

Ceramic mermaid in hand-painted gourd bowl.

Hand-painted tin -- the mermaid's torso opens to a mirror.


When I decided that it was time to get back to the United States, after having lived in the sun in Florida and Mexico for 5-6 years, I didn't want to return to gray and rainy Seattle, but wanted to live in a sunnier-than-Seattle environment, and decided to give Albuquerque a try.   I made two trips to Albuquerque to "audition" the town and found a place to live.

 The only document that I needed to leave Mexico was the paperwork on the VW van as they don't want citizens from the USA bringing in vehicles to sell/leave in Mexico.  Oh yes, and a special set of paperwork to explain why I was driving without any license plates on the van -- they had been stolen several weeks prior to my departure.

Upon arrival in Albuquerque, I settled in my little adobe casita and despite living in the high desert, my master bathroom has continued to be decorated with an underwater/mermaid theme and my Weeki Wachee mermaid moved into my new bathroom.

I quickly immersed myself in the local art scene and have continued to be influenced by my mermaid muse and have taught several mermaid-themed classes over the years I have been in Albuquerque.

Here's a sample of the soft sculpture mermaid class I've taught at both China Phoenix 2 and OffCenter.  My mermaid is wearing a shell bra made from shells beachcombed from Bucerias, a small beach town north of Puerta Vallarta.


And, here is one of my matchbox mermaids -- a class I taught at Papers! about four years ago.


And, here's one of the paper doll samples I created for my 2012 paper doll class at Papers!   You can find the templates for the mermaid figure at http://www.theenchantedgallery.com/


Below is the 11x14" sample I created for my "Mermaid Grotto" collage-on-canvas class taught at Papers! this past summer (2013).  The mermaid tail is Japanese yuzen paper, the water is blue unryu paper, the ocean sand is a handmade paper, and the grotto elements are ribbons, fussy cut images and embossed images. You can find the coral rubber stamps from I Love Rubber Stamps at http://www.iloverubberstamps.com/ and the large light blue seaweed on the right was created using one of my favorite rubber stamps from Lost Coast Designs 

Bubbles



In this summer's class, all the students worked from the same supply of paper, but as you can see below from photos submitted by the students who allowed me to include their completed works in this blog post, each piece of art is very individualized.

This is Maria's piece -- bright and colorful with her mermaid contemplating the merits of two beautiful large shells.  The center grouping of red and purple seaweed was created using a Martha Stewart repeat border punch!  And Maria used the Lost Coast Designs rubber stamp for the teal colored embossed seaweed on the far right.

This is Juli's piece entitled "Dream Grotto" -- this is a bird's eye view with Juli floating in her dream grotto.  Juli used softer colors and textured and print papers to create the rockscape surrounding her grotto.

 This is Tammie's piece in more natural colors -- note the beautiful tapestry mermaid tail and the sense of motion she created by the flowing hair and using leaf ribbon for the drifting seaweed.

And, as a final note about Mermaid Madness, I was happy to discover that Weeki Wachee Springs is still operational -- and was made a Florida State Park in 2008!  If you are ever in Central Florida, be sure to save time for a visit to the park to see the underwater mermaid show!   http://www.floridastateparks.org/weekiwachee/

Thursday, August 1, 2013

Blue Betty

Blue Betty

This past Saturday at Market I met Carey Ferrante, owner of Blue Betty.  A former New Mexico resident, Carey now resides in Orlando, Florida and operates the Blue Betty Traveling Boutique in and around the area.  


Carey will be carrying a selection of my vintage print cards, and for an upcoming Day of the Dead show, my new Day of the Dead calavera earrings!!

Check out Carey's website at blue-betty.com or blue-betty66@facebook.com-- be sure to look at all the photos and see the story and making of Blue Betty and Blue Betty in action!  What a fun way to make a living!!


Fall Classes

FALL CLASSES AT PAPERS! 

Here are the four classes I will be teaching this fall at Papers! in Nob Hill - 108 Amherst. All materials are provided in the registration fee.  Papers! will begin taking registrations on August 15 -- call 254-1434 to register.  Many of my classes fill within a week of being announced, so if there is a class that you would really like to take, I recommend that you call early in the registration process.

COLLAGE ON CANVAS - "What a Day for a Daydream"
Sunday, September 22 , 1-4pm, $45

Create a beautiful, dreamy, nostalgic work of art and at the same learn a myriad of techniques to add color, texture and movement to your work. You will begin the class with the preparation of the background on your canvas, then while the canvas is drying, in a series of short exercises and demonstrations, you will learn assorted techniques. Then, dive into creating your striking piece of art. Start with an image of a 1940's silver screen diva (choose from several), then begin your collage using a wide range of the wonderful decorative papers carried in the store, plus ribbons, lace, and other decorative items your instructor has carefully chosen for you. Take home a ready-to-hang work of art, no frame necessary! Everything is provided, but if you would like to personalize your work, please bring several images or paper ephemera to incorporate into your piece. If you have them, please bring your detail cutting scissors. If you use them, remember to bring your reading glasses!



JAPANESE YUZEN PAPER JEWELRY -- PILLOW BEAD NECKLACE AND EARRINGS
Sunday, October 6, 1-4pm, $50

Back by popular demand -- learn to fold the intriguing three-dimensional pillow bead from beautiful Japanese yuzen paper. This class is for those of you who like to get an early start on holiday gift-making. The beads can be used to make necklaces, bracelets and earrings. In this class, we will create an eye-catching necklace and matching earrings. Project appears intricate, but is suitable for beginners with a bent for precision!





DAY OF THE DEAD DECORATED SKULL
Sunday, October 20, Session One: 12n-3pm, Session Two: 4:30-7:30pm, $55

Since this is an extremely popular class, instead of filling the first class and adding a second, we're announcing two sessions at the outset -- choose from an early afternoon or late afternoon class.

In this class you will create a glorious, eye-catching Day of the Dead calavera (skull). You will first cover an almost-life-sized skull form using ginwashi paper, then, using a multitude of the fabulous decorative papers carried in the store, you will decorate the skull in true Day of the Dead fashion. If you have them, please bring your detail cutting scissors. If you use them, remember to bring your reading glasses!




DAY OF THE DEAD CIGAR BOX SHRINE
Sunday, October 27, 1-4pm, $50

In this class you will create a mixed media folk art cigar box shrine featuring calaveras (skulls), calacas (skeletons) and cempasuchitl (marigolds). You will work with assorted papers to cover and line your box. Choose from a huge array of embellishments including sequins, glitter, beads, ribbons, braids, and marigolds, as adornments for your shrine. The shrine makes a fabulous keepsake or a wonderful gift. All materials are provided, but please feel free to bring any personal items (including a copy of a small photograph of a departed loved one or pet) that you’d like to incorporate into your shrine.


Monday, June 3, 2013

Treasure Book Box

Yesterday I had the luxury of taking (instead of teaching!) a class at Papers! in Nob Hill.  A wonderful little 3" cube-shaped Treasure Book Box appeared in the sample case and I knew I wanted to take the class.  Local Albuquerque paper/bookbinding artist Carol Erickson designed the box and team-taught the class with local artist/bookbinder Pam MacKellar (her website is pamonpaper.com ).

I decided that I wanted to make "Mexico" the theme of my box and constructed the top of the box from a Mexico map taken from a road atlas.  The red box bottom is Nepalese lokta paper, and the box bottom is lined with a subtle print scrapbooking paper in the same blue as the ocean-blue on the map.

During the class we students talked about the possibility of later adding some kind of trim around the bottom border of the box.  I knew exactly what I wanted to add when I got home -- while beachcombing in Mexico I had collected a small container-full of broken bits of blue glass tiles -- I'd add those around the perimeter of the box.

For me, the most delightful aspect of this box is what is hidden inside!  All four walls of the box fold down flat to reveal a small book mounted on the interior wall of each box, and treasures are displayed on the interior box bottom.



This is the view of the box bottom with all four side walls unfolded.

And here's the view of the inside of the box with all four side walls folded down.  Each of the four small books are stitched with the 3-hole pamphlet stitch.  To adorn the covers of the little books I chose four images that say "Mexico" to me.  (1) The patron saint of Mexico - the Virgin of Guadalupe.  (2)  Frida Kahlo - Mexico's most well-known female artist.  (3)  A loteria card (loteria and dominoes are the two most-played games in Mexico).  (4)  And of course, a Day of the Dead calavera.  The calavera image is available digitally on Etsy at http://www.etsy.com/shop/graphicdesignbytara

The treasures I have adhered to the box bottom were all found while beachcombing -- beach glass, tiles and shells.

WHAT FUN!

Sunday, April 28, 2013

Summer Classes 2013

Here are descriptions and photographs of the classes I will be teaching at Papers! in Nob Hill in June and July.  All materials are provided in the registration fee.  Call 254-1434 to register.


 PAPER DOLL PLAY - "THE GIRLS IN THEIR SUMMER DRESSES" - Sunday, June 9, 1-4pm, $45

Set aside a Sunday afternoon for pure play! For this class, I have received special permission for us to use figures designed by paper doll designer Alina Kolluri. Start with a simple dress template and modify it to create many new designs, which will be carried out using beautiful papers from the store.   I will also teach a torn paper strip collage technique to create a glorious full-skirted dress (center figure). Use assorted papers, ribbons and embellishments to adorn your lovely paper doll figures. Let your imagination run wild, as you allow your interior fashion designer to emerge! If you have them, please bring with you your favorite pair of detail scissors, and if you use them, don't forget your reading glasses!

Visit The Paper Doll Shoppe  http://stores.ebay.com/The-Paper-Doll-Shoppe?_trksid=p2047675.l2563 on eBay to see all of Alina's paper doll designs.


"ART GODDESS" CIGAR BOX SHADOWBOX SHRINE - Sunday, June 23, 1-4pm, $50

In this class you will create a folk art cigar box shrine featuring the goddess(es) of your choice -- Minerva (Roman), Athena (Greek), Sarasvati (Hindu), St. Catherine of Bologna (Catholic saint), or a modern-day "generic" Art Goddess. You will work with beautiful assorted papers to cover and line your box. Feature whichever goddess(es) you so choose in the box interior, using color and/or embossed images. Then embellish to your heart's content! Everything will be provided, but please bring something to incorporate into your shrine that speaks to your particular art or craft form (or that of the person for whom you are making the shrine).



COLLAGE ON CANVAS - "MERMAID GROTTO" - Sunday, July 7, 1-4pm, $45  I have a truly summer-appropriate collage on canvas project prepared for you! Head to the bottom of the ocean, and create a secluded mermaid's grotto filled with sea creatures and ocean-bottom plants. We will be using decorative ribbons, Thai unryu paper, Nepalese lokta paper and Japanese yuzen paper. And I have some wonderful new rubber stamps you will use to create embossed sea plants to incorporate into your grotto. Take home a ready-to-hang work of art on 14"x11" stretched canvas, no frame necessary! If you have them, please bring with you your favorite pair of detail scissors, and if you use them, don't forget your reading glasses!

JAPANESE YUZEN PAPER JEWELRY -- PILLOW BEAD NECKLACE AND EARRINGS, Sunday, July 23, 1-4pm, $50 

For those of you who like to get an early start on your holiday gift-making, learn to fold the intriguing three-dimensional pillow bead from beautiful Japanese yuzen paper. The beads can be used to make necklaces, bracelets and earrings. In this class, we will create an eye-catching necklace and matching earrings. Project appears intricate, but is suitable for beginners with a bent for precision!
 

Sweet Potato Party Skirt

Here's OFFCenter's Call For Art for its most recent show:

“Re-Style/Free-Style"
Upcycled Wearable & Functional Art Forum
Clothing • Jewelry • Purses • Accessories & More
Exhibit and Sale displaying creative, upcycled wearable forms of art
Artists are invited to submit unique hair ornaments, aprons, purses, dresses, spring frocks, jewelry, accessories, clothing, spring fashions recreated from our free box or your favorite thrift store, yarn craft from yarn scraps, hand painted shoes, embroidered old jeans, let your upcycled imagination go wild.
Exhibit/Sale up through April 26th


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In my bag of tricks I had stashed seven sweet potato bags from Trader Joe's - knowing that some day I would use them in an art project -- but had no idea for what they would be used.  Great color.  Great texture.

When OFFCenter announced the Re-Style/Free-Style show, immediately my sweet potato bags came to mind.  So, I went to work:

On each bag I removed the bottom seam, then opened up each bag to create a rectangle by gently tearing one side of the mesh out from behind the label, sewed all seven bags side to side to create one giant circle, pleated the waistline, created a tie-back waistband from very wide leftover satin holiday ribbon, and at the hemline of the skirt added about 7 yards of yet more leftover holliday ribbon about 1" wide gathered into a decorative ruffle.

Here's the finished product -- it really brings a smile to my face -- I kind of hoped it wouldn't sell and I could retrieve it at the end of the show, but it indeed did sell.  So, I'm back to eating yet more sweet potatoes from Trader Joe's and collecting enough bags so I can create a Sweet Potato Party Skirt of my own!


Here's the skirt spread full circle.

And here's Houdini, checking out the skirt -- he immediately needs to investigate anything new.
And here's the skirt on a hanger ready to deliver to OffCenter.